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The santoor, earlier a folk instrument only known by Kashmiris, is now popular in Indian classical music, thanks to Shivkumar Sharma. A legendary figure of Indian classical music, his efforts help make it more prominent in Indian popular culture.
Shivkumar Sharma was born on 13 January 1938, in Jammu. His father, Uma Dutt Sharma was a musician. He taught his son vocals and table when he was only five years old. He was then introduced to the santoor, a folk instrument from Kashmir with its origins in Persia at the age of thirteen. At the time it was quite unknown in Indian classical music. His first public santoor performance in Bombay for which he received thunderous applause from the audience.
He started his career playing the santoor alongside his father and recorded his first album in 1960. Performing at various venues in Mumbai increased the popularity of the santoor in the Indian classical music scene at the time.
Shivkumar Sharma composed the background music for a scene in V. Shantaram’s film, Jhanak Jhanak Payal Baje.
Through these performances he met some of his longest collaborators such as table player Zakir Hussain and flautist Hariprasad Chaurasia. With the latter, they performed as the duo Shiv-Hari and were one of the most successful in Indian classical music. Their 1967 album, Call of the Valley is considered by many to be the best Indian classical albums ever produced and received praise from music legends such as Paul McCartney, George Harrison, Bob Dylan and David Crosby.
Shiv-Hari composed the music for several Bollywood films, mainly those of Yash Chopra which they received further acclaim for. The first was the Amitabh Bachchan and Rekha starrer Silsila. Others included Faasle, Chandni, Lamhe and Darr.
However, he wanted to keep his focus on classical music rather than music for films. He felt that Indian classical music was not merely a form of entertainment but a spiritual experience.
Shivkumar Sharma performed actively, until his death in 2022, at the age of 81.
Year |
Title |
1964 |
Santoor & Guitar with Brij Bhushan Kabra |
1967 |
Shivkumar Sharma (re-released in 2005 as "First LP Record of Pandit Shivkumar Sharma" |
1967 |
Call of the Valley with Brij Bhushan Kabra and Hariprasad Chaurasia |
1982 |
When Time Stood Still! With Zakir Hussain |
1987 |
Rag Madhuvanti & Rag Misra Tilang with Zakir Hussain |
1988 |
Hypnotic Santoor |
1991 |
Maestro's Choice, Series One |
A Sublime Trance |
|
The Glory of Strings |
|
Raga Purya Kalyan with Zakir Hussain |
|
1993 |
Rag Rageshri with Zakir Hussain |
Raga Bhopali vol I |
|
Raga Kedari vol II |
|
Varshā – A Homage to the Rain Gods |
|
1994 |
Sound Scapes, Music of the Mountains |
Hundred Strings of Santoor |
|
The Pioneer of Santoor |
|
Raag Bilaskhani Todi |
|
A Morning Raga Gurjari Todi |
|
Feelings |
|
1996 |
The Valley Recalls - In Search of Peace, Love & Harmony with Hariprasad Chaurasia |
The Valley Recalls - Raga Bhoopali with Hariprasad Chaurasia |
|
Yugal Bandi with Hariprasad Chaurasia |
|
1999 |
Maestro's Choice, Series Two |
Sampradaya |
|
Rasdhara with Hariprasad Chaurasia |
|
2001 |
Saturday Night in Bombay – Remember Shakti with John McLaughlin, Zakir Hussain, and many others musicians. Composed Shringar |
2002 |
Ananda Bliss with Zakir Hussain |
The Flow of Time with Zakir Hussain |
|
Sangeet Sartaj |
|
2003 |
Vibrant Music for Reiki |
2004 |
Sympatico (Charukeshi – Santoor) |
2004 |
The Inner Path (Kirvani – Santoor |
2007 |
Essential Evening Chants with Hariprasad Chaurasia |
1- Sangeet Natak Akademi Award (1986)
2- Padma Shri (1991)
3- Padma Vibhushan (2001)
4- Platinum Disc for Call of the Valley
5- Platinum Disc for the music of the film Silsila
6- Gold Disc for the music of the film Faasle
7- Platinum Disc for the music of the film Chandni
8- Pandit Chatur Lal Excellence Award (2015)
Zakir Hussain | Ghulam Mustafa Khan |
Hariprasad Chaurasia | Vishwa Mohan Bhatt |
Ravi Shankar | Amjad Ali Khan |
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