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Kumkum |
Details |
Profession |
Actress |
Celebrity Type |
Indian |
Age |
86 (at the time of passing) |
Date of Birth |
8 June 1934 |
Zodiac Sign |
Gemini |
Birthplace |
Sheikhpura, Bihar, India |
Notable Work |
Mr. X in Bombay, Mother India, Son of India |
Kumkum was a well-known Indian actress who was born on June 8, 1934, as Zaibunnisa Khan. She made appearances in about 115 films over the course of her career, making a big impact on the Indian film industry. Kumkum has received widespread acclaim for her noteworthy roles in movies like Mr. X in Bombay (1964), Mother India (1957), Son of India (1962), Kohinoor (1960), Ujala, Naya Daur, Shreeman Funtoosh, Ek Sapera Ek Lutera, Ganga Ki Lahren, Raja Aur Runk,
She co-starred in many of the top films of her era thanks to Kumkum's charismatic presence on screen and her versatility as an actor. Notably, she frequently shared the screen with the legendary performer and actor Kishore Kumar, and their chemistry in their movies was unforgettable.
Kumkum entered the Bhojpuri film industry in addition to her work in mainstream cinema. With Ganga Maiyya Tohe Piyari Chadhaibo (1963), the first Bhojpuri film ever made, she made her film debut in the language. With her portrayal in Bhojpuri cinema, Kumkum was able to reach a wider audience and further demonstrate her acting versatility.
Kumkum left an enduring legacy in the Indian film industry thanks to her powerful performances, devotion to her craft, and capacity to play a variety of roles. Her performance in Hindi and Bhojpuri films cemented her reputation as a reputable and significant actress. Kumkum died on 28 July 2020 at her residence in Mumbai, aged 86. Even though she is no longer with us, Kumkum's contributions to Indian cinema are still cherished and remembered by her admirers.
Kumkum was a well-known Indian actress who was born on June 8, 1934, as Zaibunnisa Khan. She died at the age of 86 in the year 2020. Her zodiac sign is Gemini.
Kumkum, whose birth name is Sayyeda Zaibunnisa, was born into a prestigious Shia Islam family. She hailed from Sheikhpura district in Bihar, India, and was the daughter of Sayyed Manzoor Hassan Nawab of Hussainabad and Sayyeda Khursheeda Bano.
Kumkum married Sayyed Sajjad Akbar Khan, an Indian from Lucknow who worked in Saudi Arabia, in her private life. Kumkum moved to Saudi Arabia after getting married and stayed there for 23 years. She concentrated on her family and raising her two kids while she was in Saudi Arabia.
Sayyeda Andaleeb Akbar Khan, a daughter, and Syed Hadi Ali Abrar, a son, were born to Kumkum and Sayyed Sajjad Akbar Khan. Sayyeda Andaleeb Akbar Khan, their daughter, has also entered the film industry as an actress and writer.
In 1995, Kumkum returned to India after living in Saudi Arabia for more than 20 years. She picked up acting again and continued to use her skills and enthusiasm to support the Indian film industry.
Kumkum has shown resiliency and dedication to her family and career throughout her journey from her upbringing to her married life in Saudi Arabia and eventual return to India. Despite her absence from the spotlight, Kumkum stayed connected to her roots, made a triumphant comeback, and left a lasting impression on the movie industry. Her personal life and experiences have undoubtedly influenced her artistic endeavors and shaped who she is as a person.
Kumkum was born in the Sheikhpura neighborhood of Bihar, India, into a reputable Shia Muslim family under the birth name Sayyeda Zaibunnisa. Her parents, who come from a distinguished family, were Sayyed Manzoor Hassan Nawab of Hussainabad and Sayyeda Khursheeda Bano.
Kumkum married Sayyed Sajjad Akbar Khan, an Indian from Lucknow who worked in Saudi Arabia. Kumkum moved to Saudi Arabia soon after getting married and stayed there for 23 years. She committed herself to her family and the upbringing of her two children while she was living in Saudi Arabia.
Kumkum and Sayyed Sajjad Akbar Khan were blessed with a daughter named Sayyeda Andaleeb Akbar Khan and a son named Syed Hadi Ali Abrar. Their daughter, Sayyeda Andaleeb Akbar Khan, has also pursued a career in the film industry, showcasing her talents as an actress and writer.
After spending over two decades in Saudi Arabia, Kumkum returned to India in 1995. She decided to reignite her acting career and continued to contribute to the Indian film industry with her remarkable talent and dedication.
Kumkum's journey—from her upbringing in a distinguished Shia Islam family to her marriage and life in Saudi Arabia, and eventually her return to India—reveals her strength, commitment to her family, and resilience. Despite her time away from the limelight, Kumkum stayed connected to her roots and made a triumphant comeback, leaving an indelible impact in the realm of cinema. Her personal life experiences undoubtedly shaped her as an individual and influenced her artistic endeavors.
Kumkum's entry into the film industry was facilitated by Guru Dutt. Initially, Guru Dutt had planned to feature the song Kabhi Aar Kabhi Paar Laaga Teere Nazar from the movie Aar Paar (1954) on his friend Jagdeep. However, he later decided to have the song picturized on a female actor. Despite facing reluctance from others to perform a small song, Guru Dutt eventually chose Kumkum for the role. Subsequently, Kumkum appeared in a minor role in Pyaasa (1957). She also had the opportunity to be part of the famous song Yeh Hai Bombay Meri Jaan from C.I.D (1956), which was sung by Geeta Dutt and featured Kumkum.
Kumkum received training in Kathak from the renowned Pandit Shambhu Maharaj. She showcased her dancing talents in the film Kohinoor (1960) alongside Dilip Kumar. Notable songs like Madhuban Mein Radhika Nache Re and Haye Jaadugar Qaatil, Haazir Hai Mera Dil, sung by Asha Bhosle and composed by Naushad, respectively, were picturized on Kumkum. She was frequently paired with Kishore Kumar in films such as Ganga Ki Laharen, Shreeman Funtoosh, Haaye Mera Dil, and Mr. X in Bombay. Kumkum played the lead heroine in the popular Hindi sad song Mere Mehboob Qayamat Hogi from Mr. X in Bombay. Her on-screen pairing with Kishore Kumar became well-known, and songs like Khoobsurat Haseena from Mr. X in Bombay, Ijazat Ho Toh from Haaye Mera Dil, Sultana Sultana from Shreeman Funtoosh, and Machalti Hui from Ganga Ki Lahren continue to be cherished by audiences.
Ramanand Sagar, the writer-director, frequently chose Kumkum for his projects. He cast her as Dharmendra's sister in the blockbuster film Ankhen (1968). In Geet (1970), Kumkum played a small role as per Sagar's choice. However, in Lalkar (1972), she was paired with Dharmendra while Mala Sinha was paired with Rajendra Kumar. Kumkum was also paired with Kiran Kumar in Jalte Badan (1973), a film produced, directed, and written by Ramanand Sagar. Her pairing with Vinod Khanna in Dhamkee (1973) garnered attention, especially the duet song Chand Kya Hai Roop Ka Darpan, which became immensely popular. She shared the screen with Pran in the comedy film Ek Kuwara Ek Kuwari, directed by Prakash Mehra, which turned out to be a blockbuster. After her marriage, Kumkum decided to step away from the film industry, marking the end of her acting career.
The beauty of Aar Paar's dialogue is that each character speaks in a language that reflects their origins, upbringing, and education. Instead of universal Hindi, there is a little Punjabi, a little Parsi, a little Urdu, a little street Bambaiyya, and a little heartland Hindi mingled with awkward English. By paying close attention to the little things, the dialogue became more true to the character and to Bombay, a city long known for its multicultural population.
Popular music was featured in the movie. The movie's album came in at number 34 on Film Companion's list of the Best Bollywood Albums of all time. The 7th Mirchi Music Awards, held in 2014, also recognized it as the Best Album of the Golden Era for the year 1954.
Sohrab Modi is the director of the 1954 Indian biographical film Mirza Ghalib. It centers on the career of the eminent poet Mirza Ghalib. Bharat Bhushan plays Mirza Ghalib in the movie, and Suraiya plays his courtesan lover.
The movie was well-received by critics after it was released. At the second National Film Awards, which were held in 1954, it was recognized with the President's Gold Medal for the Best Feature Film in All of India and the President's Silver Medal for the Best Feature Film in Hindi.
Suraiya's portrayal of Mirza Ghalib's ghazals through her singing and acting was well received. Jawaharlal Nehru, the country's prime minister at the time, praised Suraiya by saying, You have brought back Ghalib to life, during a special showing of the movie at Rashtrapati Bhavan. The movie is remembered for its depiction of Mirza Ghalib's life, the standout work of the lead actors, and Suraiya's performance of Ghalib's ghazals.
Abrar Alvi wrote the screenplay for the 1955 Indian romantic comedy Mr. & Mrs., which Guru Dutt both directed and produced. Madhubala portrays Anita Verma in this socially conscious movie, a naive heiress who is coerced into marrying an unemployed cartoonist (Guru Dutt) in order to keep her millions.
Mr. & Mrs. '55 was one of Dutt's earliest productions and one of his few comedies. The movie became a huge critical and financial success after it opened in theaters on February 11th, 1955. Its box office success represented a turn for Madhubala, who was one of the 1954 movie stars dubbed box office poison. Most people agree that she gave one of her most memorable and recognizable performances when she played Anita Verma.
On the list of The 100 Best Bollywood movies compiled by Time Out in 2019, it was ranked 57th. The movie was appreciated for its comic sequences but was criticised for its problematic portrayal of feminism and progressive themes.
Ashok is an employee of the infamous gangster Sunder and his men. He discovers a dead body one day and calls the police to report it. After that, Ashok meets Nimmo and develops feelings for her. Nimmo requests that Ashok give up his gangster lifestyle in order to marry her. Ashok concurs, but after going without food for a few days, he comes to the conclusion that he would have been better off as a gangster. The remainder of the film depicts Ashok's struggle to remain with Nimmo or with Sunder.
Year |
Movie Title |
1973 |
Ek Kunwari Ek Kunwara |
1973 |
Jalte Badan |
1973 |
Dhamkee |
1972 |
Lalkar |
1972 |
Aan Baan |
1970 |
Geet |
1970 |
Gunah Aur Kanoon |
1968 |
Ankhen |
1968 |
Raja Aur Runk |
1966 |
Main Wahi Hoon |
1965 |
Shreeman Funtoosh |
1965 |
Ek Sapera Ek Lutera |
1964 |
Ganga Ki Lahren |
1964 |
Mr. X in Bombay |
1963 |
Laagi Nahi Chhute Ram |
1962 |
Ganga Maiyya Tohe Piyari Chadhaibo |
1962 |
Sher Khan |
1962 |
King Kong |
1962 |
Son Of India |
1960 |
Dil Bhi Tera Hum Bhi Tere |
1960 |
Kohinoor |
1959 |
Ujala |
1959 |
Kali Topi Lal Rumal |
1959 |
Shararat |
1959 |
Char Dil Char Rahen |
1958 |
Ghar Sansar |
1957 |
Baarish |
1957 |
Pyaasa |
1957 |
Mother India |
1957 |
Naya Daur |
1956 |
Basant Bahar |
1956 |
C.I.D. |
1956 |
Naya Andaz |
1956 |
Mem Sahib |
1956 |
Funtoosh |
1955 |
Kundan |
1955 |
House No. 44 |
1955 |
Mr. & Mrs. '55 |
1954 |
Mirza Ghalib |
1954 |
Aar Paar |
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